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Price: $14.95
Produced by: David Heckendorn
Recording at: Studio K, NYC in June 1999
Recording Engineer: Bill Kinslow
Cover Art by: Vivian Tang
Composed, arranged, and played by: David Heckendorn |
When I was twelve, my cousin “Little” Freddy Koop gave me his Martin Tenor
Saxophone. I became immediately taken with this new instrument. I had been
fooling around with an old alto for about a year and had been playing piano in
some fashion or other since I was five, but this Tenor Saxophone offered new
possibilities.
Even though the advice from a high level New York City MD was for me to avoid
playing a wind instrument because of my Asthmatic condition as a child, I
chose (and Mom agreed) that the advice from her brother, my Uncle Fred, the
Chiropractor, was a better option. He felt that the playing of the saxophone would
exercise my lungs - making them stronger and a way to counteract any asthma I
might be experiencing.
I studied the instrument briefly in Junior High with a wonderful teacher and
good swinging Tenor player himself, Ernie Labovich. I continued on my own
after about two years of study. It was during these High School years that I
divided my time between making a serious attempt at becoming a respectable jazz
saxophonist and by my continuous playing of the piano.
I had always written songs. My first being for my 5th grade fellow student
Toby at P.S. 131 in Jamaica, Queens. I was asked by the Principal to perform
the song on stage for an assembly program. So Bruce Malin, who sang, and I who
played my mandolin, performed “Toby” while my good friend, later to become
great composer, and humanitarian Michael Kamen, sat in the audience.
Jumping ahead about forty years and I get a new toy to play with. This time
it’s a Mac equipped with enough hardware and software to enable me to compose
and record the tracks for the songs you hear on “Hecknology”. Add the two
toys together - the saxophone and the technology and me doing both and you have“Hecknology”.
Most of the tunes on this CD have lyrics but I believe the instrumental
presentations does the trick just fine. This was also conceived as an educational
tool by which I provide the tracks, the music, and the theory behind the music
to help students in their understanding of jazz and jazz improvisation.
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